The Mandolin Case Cover- A Mystery
I had planned another post about my agent today, but I’ve put if off a day or two. I have breaking news. Last night I got an e-mail from my publisher and they asked me to go ahead and release the cover of my book.
Okay folks here it is, and also here’s the story behind it.
Long before anyone had heard of a carbon fiber mandolin, Indie predicted they would one day be an item. “Bibey,” he said. “If we can put a man on the moon, someday they’re gonna make guitars and mandolins out of this space age stuff. You wait and see. They’ll be indestructible. They won’t warp even if you leave ‘em in the trunk of the car.”
Several years before “The Mandolin Case” a man came through Harvey County and showed Indie a synthetic prototype mandolin made out of carbon fiber. He claimed it sounded as good as a mandolin made of spruce and maple tonewoods, but was impervious to the elements. The man wanted Indie to invest in his company. Indie liked the mandolin but was a conservative investor. (Colorful as Indie was, he always said a good investment was a boring mutual fund.) He declined to buy any stock in the man’s company, but didn’t forget the mandolin.
I didn’t see this mandolin when the man came through, but Indie described it to me. Years went by and I forgot about it. However, when I began to research the back story of “The Mandolin Case,” discussion of the prototype synthetic mandolin resurfaced. Indie would say, “Son, that carbon fiber mandolin was the clue wasn’t it? I’m not sure we’d have found out without it.” Then he’d take a sip of Jim Beam and drop the subject.
All I knew was it was a carbon gray “F” style mandolin. Indie said at that time it was the only one he’d ever seen that didn’t have the traditional F holes. After the publisher read the story they decided this mandolin was so significant it needed to be on the cover. They asked me to forward a picture.
I had a dilemma. I not only didn’t have a photograph, I’d never even seen it. All I could do was describe it to the best of my ability. It was somewhat like those composite sketches the police do when they search for a suspect.
What to do? Indie was gone and I couldn’t ask him. Dang, I should have done the cover first. The publisher sent dozens of drawings. One morning I sipped my coffee and opened my e-mail. I jumped up to call. “That’s it, that’s it! I’m sure that’s the one; well at least as sure as I can be given I never laid eyes in it myself. Where did you find it?”
“We tracked it back. The e-mail was bogus. The trail went cold. Address unknown. We don’t know.”
So there you are. All this research, countless hours of interviews with everyone who would talk, and I still have one last mystery on my hands. Indie knew the synthetic mandolin was a player in the case; he told me so many times.
Someone out there knows another clue about ‘The Mandolin Case.” Hm. Maybe they know the Navajo or perhaps it was the Navajo who sent it in.
I know the truth about “The Mandolin Case,” but of all the ironies I don’t know where the mandolin on the cover came from. All I can tell you is I am sure whoever sent it in has to be someone on the inside, and I won’t rest until I get to talk to them. If you run into them let me know.
Dang that Indie. He had a great memory and didn’t bother to document much. Why didn’t he take a picture? It woulda saved me a lot of trouble. Oh well, we’ll find out.
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